structure "JOGLO" custom house of java

structure "JOGLO" custom house of java

Based on the shape of the overall look and shape of the skeleton, joglo building can be divided into 4 parts:

    Young (Nom): Joglo form zoom tends to elongate and rising (stretchy).
    Old (Tuwa): Joglo that form tend to be short zoom (not lengthwise) and the roof is not straight / inclined resting (nadhah).
    Male (lanangan): Joglo which looks solid because of the relatively thick frame.
    Women (wadon / padaringan kebak): Joglo the chassis is relatively thin / flat.
In the middle of the gazebo there are four main pillars called pillar. Its size should be higher and larger than the poles / saka-saka others. At both ends of the poles there are ornaments / carvings.
The top of the pillar are interconnected by connector / link called overlap and sunduk. Overlapping positions above sunduk.In the Java language, the word "sunduk" itself means "awl".
At the very top of the mast pillar of this is there are usually several layers of wooden beams that form circles storied widening towards the outside and the inside. Widening to the outside is called nick. Nick in Javanese means' wing ,. While widening to the inside so-called "overlap-sari '. This nick prop plane of the roof, while Tumpang-sari sustain ceiling field joglo (pamidhangan).
For more details, details of the order joglo are as follows:

"JOGLO" custom house of java

1.     Molo (mulo / sirah / suwunan), the beam that is located at the top, which is considered the "head" of the building.
2.     Ander (saka-gini), beam located above the sledge which serves as the support molo.
3.     Geganja, construction boosters / stabilizers ander.
4.     Sledge (rodents), Beam connecting and stabilizing the ends of the pole; frame house located upper transverse width according to the house and linked with the beam.
5.     Santen, sledge mountings located between the sledge and the seam.
6.     Sunduk, stabilizer pole construction to withstand shocks / wobble.
7.     Kili (Sunduk Kili), Beam locking cathokan sunduk and poles.
8.     Pamidhangan (Midhangan), cavities are formed from a series of beam / overlapping-sari on brunjung.
9.     Dhadha Peksi (dhadha-manuk), rodents transverse beam in the middle pamidhangan.
10.     Penitih / panitih.
11.     Penangkur.
12.     CVD-Ganthil, holder / locking diarrhea pole-shaped protrusion; dudur oppressed.
13.     Kecer, molo supporting beams which support the roof and at the same time.
14.     Dudur, beams connecting the meeting point of responders, penitih and penangkur with molo.
15.     Nick (wing), part of the expansion came out the top of the pillar that supports the roof.
16.     Songgo-uwang, Construction penyiku / buffers that are decorative

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" JOGLO " custom home central java dazzling

" JOGLO " custom home central java dazzling

Central Java is one of the important provinces in Java. In addition to its economic frenzy, this province is also famous for its cultural element that is still awake. One of the heritage of the allure of this province is Joglo. What it is Joglo? Joglo essence is the name for the custom house in Central Java. The building is interesting assessed, both in terms of historical and architectural loaded with philosophical value Javanese.Joglo And Elements buildersIt is interesting to examine this traditional house in Central Java because we will directly intersect with the noble values. So, Joglo not just residential. More than that, he is a symbol. Consider just a framework that form the pillar of his house. If observed, there are four main pillars which becomes the main buffer home. The main pillars, each representing the wind direction, the west-north-south-east. In more detail, in the pillar there is what is known as intercropping arranged with the inverted pattern of the pillar.If parts dissected, then the Central Javanese traditional house consists of several parts, namely pendhopo, pringgitan and also omah ndalem / omah njero. What is meant by Pendhopo is part Joglo commonly used to entertain guests. Meanwhile, Pringgitan itself is part of the living room which is commonly used to receive guests closer. Meanwhile, known as Ndalem or Omah Omah Njero is the space where the family usually chatting. The family room is also subdivided into several rooms (room / senthong), namely senthong center, right and left.Not only the division of the room, some of the features Joglo also symbolizes the philosophical value. Call it part Joglo house doors are numbered three. The main door in the middle, and the other door on both sides (right and left) rumah.Tata door layout is not arbitrary. It represents a butterfly emerging and struggling in a large family.Moreover, in Joglo is also known for a special room named Gedongan. He serves as a sanctuary, where the head of a family looking for inner hands, places of worship and many other sacred activities. In some homes Joglo, Gedongan multirangkap used as a break room or bedroom. At other times, it can also be converted as the bridal chamber newly married.Social Status SymbolJust like traditional houses in other areas, Joglo can also be used as a reference to measure a person's social status. Although recognized as a traditional house in Central Java, but not all of the people or the people of Central Java have this house. Why? For though it looks quite simple, but the complexity of raw materials and the manufacturing process to make Joglo development costs as well as time-consuming abundant. Previously, only the gentry and nobility have this apin house. Now, they are not royal but the rich could build a house elegant and classic.Joglo as traditional houses known to have a design that is not arbitrary. The design of the structure is then narrowed to the division of Joglo house itself, among others:  

1.     Joglo house Pangrawit.
2.     Joglo house Jompongan.
3.     Limasan Joglo house jokes.
4.     Joglo Semar Tinandhu.
5.     Joglo Mangkurat.
6.     Joglo Sinom.
7.     Joglo Hageng.

Because of the high sense of art that reflected the traditional house in Central Java, do not be surprised if he became one of the cultural assets that are required to be preserved from one generation to the next generation.